By Brecht, Bertolt; Brecht, Bertolt; Bial, Henry; Martin, Carol
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Additional resources for Brecht sourcebook
And they feel, after all, that they are getting rather old. They can scarcely expect many more years of life. So why continue to learn? ”4 But there are also people who have not yet “had their turn,” who are discontented with the way things are, who have an immense practical interest in learning, who want orientation badly, who know they are lost without learning—these are the best and most ambitious learners. Such differences also exist among nations and peoples. Thus the lust for learning is dependent on various things; in short, there is thrilling learning, joyous and militant learning.
I would not simply accuse these two of having needed the science for their poetic labors, nor would I use them to excuse myself, but I must say I need the sciences. And I must even admit that I regard suspiciously all sorts of people who I know do not keep abreast of science, who, in other words, sing as the birds sing, or as they imagine the birds sing. This does not mean that I would reject a nice poem about the taste of a flounder or the pleasure of a boating party just because the author had not studied gastronomy or navigation.
In this manner an observing, watching attitude is cultivated. 1 ON CHINESE ACTING 15 In many ways the art of the Chinese actor seems to the western actor cold. Not that the Chinese theatre renounces the presentation of feelings! The actor presents events of considerable passionateness, but his delivery remains unimpassioned. At moments when the presented character is deeply excited, the performer takes a strand of hair between his lips and bites it. That is pretty much of a rite; there is nothing eruptive about it.
Brecht sourcebook by Brecht, Bertolt; Brecht, Bertolt; Bial, Henry; Martin, Carol