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Allan F. Moore's Analyzing Popular Music PDF

By Allan F. Moore

ISBN-10: 0521100356

ISBN-13: 9780521100359

How will we "know" track? We practice it, compose it, sing it within the bathe; cook dinner, sleep and dance to it. finally we expect and write approximately it. This booklet represents the end result of such shared approaches. Portraying a variety of genres (rock, dance, television soundtracks, nation, pop, soul, effortless listening, Turkish Arabesk), the essays conceal method, modernism, postmodernism, Marxism and communique.

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27 robert walser things that make them distinctive. My purpose is not to produce analyses that even pretend to be exhaustive; the four have been chosen because of the musical contrasts they present and the different issues they raise. My first example is ‘Feed Jake’, a country hit song and video of 1991 that helped the musicians who recorded it, Pirates of the Mississippi, win an award from the Academy of Country Music as the Top New Group of 1991. The lyrics relate the thoughts of a man on his deathbed whose last wish is that his beloved dog, Jake, be taken care of when he is gone.

1 illustrates the first line of ‘Please Please Me’ arranged as verbal space. When the phrase, ‘Come on’, enters, as call-and-response, one could hear the space as drastically shortened to: X Come on! ) this multiplied four times; but in fact, as Example 2 in the Figure shows, these four phrases add up to our earlier eight beats. ’, the middle eight has a series of four-syllable phrases: ‘I don’t want to’, ‘sound complaining’, ‘ “but you know there’s” ’, and ‘always rain in’. In Example 3, this effect is marked by a change in typography.

See Heylin (1996: 209–14) for an index. Dylan himself has said that he has ‘500, 600, 700 songs’, Uncut (March 1999), p. 38. 5 Elsewhere, for what it’s worth, Dylan said in a 1965 interview that ‘words are just as important as the music. There would be no music without the words’ (Miles 1978: 65, 69). 6 On sociologists and music, see Martin (1995: 12). 7 ‘Of course, the lyric was stupid and sexist but when you’re dancing this hard, it can take a couple of years to notice’ (Marsh 1989: 322 on the Rolling Stones’ ‘Honky Tonk Women’).

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Analyzing Popular Music by Allan F. Moore

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