By Gerald Bordman
This booklet concludes Gerald Bordman's acclaimed survey of yankee non-musical theatre. It bargains with the years 1930 to 1970, a interval whilst the variety of every year new performs was once shrinking, yet a interval within which American drama as an entire entered the area degree and have become a dominant strength. With works like Eugene O'Neill's lengthy Day's trip Into evening, Tennessee William's A Streetcar Named hope, and Arthur Miller's dying of a salesperson, American theater ultimately reached maturity either dramatically and psychologically. Bordman's full of life, authoritative research covers each Broadway creation, in addition to each significant off-Broadway express. His dialogue strikes season through season and convey by way of exhibit in chronological order; he bargains plot synopses and information the actual creation, administrators, avid gamers, theaters, and newspaper stories. This booklet and the previous volumes of yank Theatre stand because the most appropriate background of yank drama.
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Extra info for American Theatre: A Chronicle of Comedy and Drama, 1930-1969 (American Theatre : a Chronicle of Comedy and Drama)
He has become a hobo. But his son, Arthur (Waldo E. Edwards), raised by Moses in ignorance of his true parentage, is grateful for David's assistance in his courtship of Sylvia (Billie Mae). Being a young lawyer, he forces Moses to restore David's moneys. Only Carr's small coterie of admirers kept the show going for a month. No one attached to Bernard J. McOwen's Paid Companions (6-22-31, Masque) seemed to have any sort of loyal following, so the play lasted only a single week. During that time Lila Vaughn (Lee Smith), who had come to New York and let herself be kept in a swank penthouse by a rich man (Hal Clarendon), has a change of heart after her old Maine swain (Don Costello) comes to town and urges her to marry him.
Philippa decides to leave George for Hugh. ) debuted at the Provincetown Playhouse on the 18th with a revival of Maxwell Anderson and Harold Hickerson's Gods of the Lightning (1024-28), in which Wobblies are sentenced to death in a patently biased court. The few and meager notices the troupe received were favorable, but the group seems to have faded quietly into history. Still one more of the season's short-lived bombs was Franklin L. Russell's The Great Barrington (2-19-31, Avon). The Barringtons are snooty bluebloods who hope to prevent their daughter from marrying a young engineer with no pedigree.
Several who liked it suggested it would have had a better chance had it been brought in earlier in the season. As it was, it closed after five and a half weeks. Not until mid-month did one of May's entries find an full pardon for Mooney. At one venue or another, the drama chalked up 186 performances. The month's third revival, Pirandello's Six Characters in Search of an Author (10-30-22), which came into the Bijou on the 15th, was one more older play subjected to a whipping from Broadway's swelling coterie of faddists.
American Theatre: A Chronicle of Comedy and Drama, 1930-1969 (American Theatre : a Chronicle of Comedy and Drama) by Gerald Bordman