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Acting Like Men: Gender, Drama, and Nostalgia in Ancient by Karen Bassi PDF

By Karen Bassi

ISBN-10: 0472106252

ISBN-13: 9780472106257

"Greek drama calls for a narrative of origins," writes Karen Bassi in Acting Like Men. leaving behind the quest for ritual and local origins of Greek drama, Bassi argues for a extra secular and not more formalist method of the emergence of theater in historical Greece. Bassi takes a large view of Greek drama as a cultural phenomenon, and he or she discusses a wide selection of texts and artifacts that come with epic poetry, historic narrative, philosophical treatises, visible media, and the dramatic texts themselves.
In her dialogue of theaterlike practices and stories, Bassi proposes new conceptual different types for realizing Greek drama as a cultural establishment, viewing theatrical functionality as a part of what Foucault has referred to as a discursive formation. Bassi additionally offers a huge new research of gender in Greek tradition at huge and in Athenian civic ideology specifically, the place spectatorship on the civic theater was once a distinguishing characteristic of citizenship, and the place citizenship used to be denied women.
Acting Like Men contains exact discussions of message-sending as a sort of scripted speech within the Iliad, of conceal and the theatrical physique of Odysseus within the Odyssey, of tyranny as a theaterlike phenomenon within the narratives of Herodotus, and of Dionysus because the tyrannical and effeminate god of the theater in Euripides' Bacchae and Aristophanes' Frogs. Bassi concludes that the validity of an idealized masculine identification in Greek and Athenian tradition is extremely contested within the theater, where--in principle--citizens turn into passive spectators. Thereafter the writer considers Athenian theater and Athenian democracy as collectively reinforcing mimetic regimes.
Acting Like Men will curiosity these drawn to the background of the theater, functionality idea, gender and cultural reviews, and feminist methods to old texts.
Karen Bassi is affiliate Professor of Classics, college of California, Santa Cruz.

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Additional info for Acting Like Men: Gender, Drama, and Nostalgia in Ancient Greece

Example text

Like Aristotle and Freud, he envisions himself and his readers as elite male citizens in fifth-century Athens. We are far from the hero. A good portion of the entire city's population sits around us. We all look down the vast cupped slope into the stone bull's-eye, the dancing ring with an altar at the center. " Here that transcendence is transhistorical-even eternal. It has its roots (once again) in the ritual origins of drama and the spiritual rebirth of the hero. " Goldman's analysis of theatrical experience may seem idiosyncratic, but it is not unique in scholarly literature.

13. I discuss this aspect of the Platonic dialogue in chap. 2. 14- Cf. " I discuss Schechner's reference later in this chapter. 20 Acting Like Men excellence (605a2), pleases a multitude of spectators by treating them to imitations and impersonations of every sort. External bodily dispositions and behaviors are clearly the focus of Socrates' critique of imitation or impersonation, in particular of the sorts of human dispositions and behaviors that good men, in their roles as good citizens, must avoid impersonating.

Plato would preserve the notion of an inner and essential soul idealized and localized in the masculine spectator (the guardian). For all its differences from Plato's critique, Aristotle's Poetics is engaged in a similar act of preservation. The repudiation of the effect of bodily impersonations-overt and political in Plato, curiously paradoxical in Aristotle-functions in the service of creating and maintaining the Nostalgia and Drama 31 integrity and stability of the masculine subject, a subject who is, above all else, not Oedipus.

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Acting Like Men: Gender, Drama, and Nostalgia in Ancient Greece by Karen Bassi


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